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April 2011
Buying traditional paintings used to be a simple task in the past when Hang Trong and Dong Ho paintings were sold on every street in Vietnam. The works
would carry greetings of prosperity for the New Year or eulogize the five noble
characteristics, namely Nhan (compassion), Nghia (righteousness), Le (respect),
Tri (wisdom) and Tin (trust).
It was not just the wealthy who
could afford these paintings and it became a custom for even poor people to buy
them for house decoration during Tet. The craft of producing these folk
paintings spread too many variants with their own brand names. Each kind was
different in term of drawing, techniques, material, color processing, and
carving.
Dong Ho and Hang Trong have been the two most enduring folk painting styles.
The stand-out feature of Dong Ho is use of diep paper. In the old days, artists obtained it from the bark of
do trees that was ground, cooked and filtered to create thin sheets that were
soft, light and durable called do paper,
Some used seashells, which were than
baked to create powders with exotic sparkling colors. Diep was mixed with glutinous rice and put on do paper to create diep paper.
Hang Trong paintings are more
well-known for its line worship painting. The main colors used are beep blue,
pink, and occasionally, red, orange, yellow and green.
The colors are mixed with sticky
glue that makes Hang Trong paintings shiny and clear, an effect that cannot be
achieved by using modern colors. Hang Trong painting comes on a range of styles
like tranh to nu (portrait of beauty), tranh bon mua (four seasons), and ca
chep hoa rong (carp turns into dragon).
Things have changed but most
people still prefer paintings called nhi
binh ( the image of dancing peacocks or carps looking at the moon) or four
of them called tu binh (four flowers
representing the seasons in the form apricot, orchard, daisy, and bamboo, or
four girls singing and playing different instruments).

Some prefer paintings that depict
scenes from Chinese literature. Rural families like paintings that narrate
different kinds of stories. Outside the gate, there are often two paintings,
one depicting the Talent God and the other depicting the Fortune God, wishing
the family will achieve prosperity in the New Year. Some families hang painting
the Vu Dinh-Thien At gods, who look tough with their red faces, slanting eyes
and can sweep evil from households and their members.
In the part, most people only decorate
their house with folk painting during Tet. But when a new spring arrived, they
replaced the old paintings. Now people can buy folk paintings all year around.
With time evolving, craftsmen have adjusted themselves and their techniques.
Paintings are now made on better paper and frames.
Buying folk painting remains
popular custom on Vietnam. People buy and collect them to maintain hundred
years tradition. However, the number of craftsmen helping create part of the
soul has dwindled. In Ho village only few families still maintain this
tradition and there is only one craftsman left to do Hang Trong’s paintings.
In Hanoi,
craftsman Le Dinh Nghien has 30-40 craft boards for marking Hang Trong Painting
and some ancient ones from his ancestors, He’s the only person in the city who
can make a complete Hang Trong painting.
Information of address: 22 Cua Dong Street, Hanoi
Keywords: Hang Trong, Dong Ho, paintings, Le Dinh Nghien, Tet
Vietnam, traditional villages, folk paintings, traditional paintings, new year,
diep paper, Vietnam custom
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